by Joslyn Layne
Swedish reeds player and improviser Mats Gustafssons extended saxophone techniques draw equally from the fiery free jazz blowing tradition and the European microtonal schools. Born in 1964 in the culturally rich area of Umeå, he was exposed at a young age to various Swedish improvisers such as saxophonist Lars Göran Ulander and pianist Per Henrik Wallin. His first instrument was the flute, but by his early teens, Gustafsson was playing saxophone as well. Around the age of 14, he put his saxophone mouthpiece on his flute to bring an instrument along on a trip, and since then has played this creation, the fluteophone, in addition to other, more standard reed instruments. His first improvisations were with drummer Kjell Nordeson, who would later form the AALY Trio with Gustafsson. Mats Gustafsson moved to Stockholm in the mid-80s, and there met musicians such as Sten Sandell and Raymond Strid. The three formed Gush in 1988, two years after Gustafssons duo with Christian Munthe, Two Slices of Acoustic Car, began. He also worked with Berlin-based Sven-Åke Johansson during this time, thus becoming acquainted with the German scene. In 1990, Gustafsson performed in Derek Baileys Company in London. He also began visiting the U.S. regularly, becoming a regular in the Chicago improvising community as the 90s progressed, working extensively with Hamid Drake and Ken Vandermark, among others. Gustafsson has also performed and recorded with Barry Guy, Paul Lovens, Georg Graewe, Jaap Blonk, and as a member of Peter Brotzmanns all-star Chicago Octet/Tentet. Gustafsson has collaborated with artists in other media as well, including dance, theater, poetry, and painting. Among his many ongoing projects is the AALY Trio, with Nordeson and bassist Peter Janson, whose third album, Live at the Glen Miller Cafe, came out on the Wobbly Rail label in 1999. In 2000, he issued a new solo album on the Drag City subsidiary, Blue Chopsticks, a Steve Lacy tribute entitled Windows. Hidros One followed in early 2001.