by Steve Huey
 
The J.B.s were the legendary supporting cast of musicians behind James Brown, earning a well-deserved reputation as the tightest, best-drilled instrumental ensemble in all of funk. The name J.B.s is most often associated with three hornmen in particular — saxophonists Maceo Parker and Alfred Pee Wee Ellis, and trombonist Fred Wesley, all of whom originally joined Browns backing band at various points during the 60s. As a recording entity unto themselves, however, the J.B.s enjoyed a distinctly defined heyday from 1970-1975, under the musical directorship of Wesley (though Brown, naturally, remained a strong presence). The J.B.s were billed under a variety of alternate names on their own singles and albums — Fred Wesley and the J.B.s, Maceo and the Macks, Fred and the New J.B.s, the James Brown Soul Train, the Last Word, the First Family, and more. The core group of personnel, despite some turnover on the periphery, remained fairly steady from 1971 on, at least until Browns creative downturn precipitated several important defections.
 
The first official version of the J.B.s was formed in 1970, after the notoriously demanding Browns regular band (excepting organist/vocalist Bobby Byrd) walked out on him. Caught in a pinch, Brown recruited a Cincinnati-based R&B band called the Pacemakers, whod already toured behind Brown favorite Hank Ballard. Brothers Phelps Catfish Collins (guitar) and William Bootsy Collins (bass) anchored the lineup, as well as the first J.B.s single, 1970s The Grunt. The Collins brothers, of course, would play a crucial role in Browns transition to heavy, groove-centered funk. One by one, some of Browns previous bandmembers returned to the fold, including Fred Wesley, who accepted Browns offer to become musical director of the J.B.s in December 1970. However, the lineup splintered with the departure of the Collins brothers just a few months later, leaving Wesley with only guitarist Hearlon Cheese Martin, drummer John Jabo Starks, and tenor saxman St. Clair Pinckney. This nucleus was quickly fleshed out with bassist Fred Thomas and saxophonist Jimmy Parker (whod never played alto prior to joining the band); soon, there was also a trumpet section, usually featuring Jerone Jasaan Sanford, Russell Crimes, and Isiah Ike Oakley.
 
Brown began to release recordings by the newly constituted J.B.s on his own People label with some frequency beginning in 1971, and the group scored a couple of Top 40 R&B hits with Pass the Peas and Gimme Some More. By 1972, previous Brown guitarist Jimmy Nolen had returned alongside Cheese Martin, and conga player Johnny Griggs was back in tow as well. That year saw the release of the first J.B.s full-length, Food for Thought. Wesley was still the bands only real soloist, so in early 1973, Brown convinced legendary alto man Maceo Parker to rejoin. His first record back with the group was Doing It to Death, a long jam with guest vocals from Brown that topped the R&B charts in edited form; it was also the title track of their second album, and the first single credited to Fred Wesley & the J.B.s, affirming that Wesley was still without question the leader. Still, the J.B.s also began to cut sides under the name Maceo & the Macks, including the Top 20 R&B hit Soul Power 74 and the 1974 album Us!!. Meanwhile, under their original name, the Wesley-led J.B.s released another successful LP that year in Damn Right I Am Somebody, which spun off three Top 40 R&B hits in Same Beat, If You Dont Get It the First Time, Back Up and Try It Again, Party, and the title track. The follow-up album, Breakin Bread, issued later that year, was credited to Fred and the New J.B.s, even though the bands personnel remained essentially the same (although John Morgan was easing into Starks slot as the regular drummer).
 
By late 1974, however, Browns commercial momentum was beginning to slow, and that carried over to the J.B.s as well. The First Family single Control (People Go Where We Send You), which featured Brown, Lyn Collins, and other vocalists, failed to perform up to expectations. By the time of 1975s Hustle With Speed album, band morale was low, and Wesley was growing frustrated with Browns sudden loss of direction. On the Fourth of July, Wesley quit the group to join up with George Clinton, and Maceo Parker soon followed. Bassist Thomas, drummers Starks (whod joined B.B. Kings band) and Morgan, guitarist Martin, and saxophonist Jimmy Parker all drifted away, leaving Jimmy Nolen and Russell Crimes the only consistent members left on the final J.B.s single, 1976s Everybody Wanna Get Funky One More Time. Polydor subsequently shut down Browns People imprint, effectively ending the myriad side projects hed managed during the first half of the decade. He continued to tour with differing versions of the J.B.s, including a late-70s outfit dubbed the J.B.s International, but for all intents and purposes, the true J.B.s no longer existed.
 
Periodic J.B.s reunions ensued in the years to come; Wesley, Parker, and Alfred Ellis (who actually only played on a couple of J.B.s sessions) toured Europe with Bobby Byrd in 1988, and cut a reunion album, Pee Wee, Fred and Maceo, the following year. They continued to tour and record together off and on during the 90s under the name the JB Horns. A more extensive J.B.s reunion took place in 2002 on the album Bring the Funk On Down, which also included Bootsy Collins, Bobby Byrd, and Jabo Starks, among others.