祝瑞莲
The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg. Since meeting at ArtEZ School of Music in Arnhem the two keep reconciling distances, differences and always new approaches and perspectives. What runs like a thread through all of this is the interest to take charge of things themselves, try out and grow on it together.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as night-cool, reduced post-punk references. This is continued in the songs by themes that connect and contrast the private and the political as often as possible. The Day's music expresses utopia as well as melancholy in its escapism. After all, The Day is an international long-distance constellation, an almost celebratory pan-European idea of unification (which sadly can't be emphasized too often in recent months).
The Day have recorded two EPs by themselves, and released their debut album "Midnight Parade" in 2019. The band was constantly on the road, supported Kate Tempest live and shared stages with Turnover. And quite incidentally, the two continue to work on formulating their own version of withdrawn, melancholy pop music. The Day is intimate without being intruding and speaks with an inner calmness.
The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg. Since meeting at ArtEZ School of Music in Arnhem the two keep reconciling distances, differences and always new approaches and perspectives. What runs like a thread through all of this is the interest to take charge of things themselves, try out and grow on it together.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as night-cool, reduced post-punk references. This is continued in the songs by themes that connect and contrast the private and the political as often as possible. The Day's music expresses utopia as well as melancholy in its escapism. After all, The Day is an international long-distance constellation, an almost celebratory pan-European idea of unification (which sadly can't be emphasized too often in recent months).
The Day have recorded two EPs by themselves, and released their debut album "Midnight Parade" in 2019. The band was constantly on the road, supported Kate Tempest live and shared stages with Turnover. And quite incidentally, the two continue to work on formulating their own version of withdrawn, melancholy pop music. The Day is intimate without being intruding and speaks with an inner calmness.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as night-cool, reduced post-punk references. This is continued in the songs by themes that connect and contrast the private and the political as often as possible. The Day's music expresses utopia as well as melancholy in its escapism. After all, The Day is an international long-distance constellation, an almost celebratory pan-European idea of unification (which sadly can't be emphasized too often in recent months).
The Day have recorded two EPs by themselves, and released their debut album "Midnight Parade" in 2019. The band was constantly on the road, supported Kate Tempest live and shared stages with Turnover. And quite incidentally, the two continue to work on formulating their own version of withdrawn, melancholy pop music. The Day is intimate without being intruding and speaks with an inner calmness.
The Day are Laura Loeters from from Antwerp/Belgium and Hamburg based Gregor Sonnenberg. Since meeting at ArtEZ School of Music in Arnhem the two keep reconciling distances, differences and always new approaches and perspectives. What runs like a thread through all of this is the interest to take charge of things themselves, try out and grow on it together.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as night-cool, reduced post-punk references. This is continued in the songs by themes that connect and contrast the private and the political as often as possible. The Day's music expresses utopia as well as melancholy in its escapism. After all, The Day is an international long-distance constellation, an almost celebratory pan-European idea of unification (which sadly can't be emphasized too often in recent months).
The Day have recorded two EPs by themselves, and released their debut album "Midnight Parade" in 2019. The band was constantly on the road, supported Kate Tempest live and shared stages with Turnover. And quite incidentally, the two continue to work on formulating their own version of withdrawn, melancholy pop music. The Day is intimate without being intruding and speaks with an inner calmness.
하나의
09:10
모으다
09:21
모으다
09:12
모으다
09:23
모으다
