by Jason AnkenyTrombone master Don Drummond was among the seminal figures behind the evolution of ska — a founding member of the legendary Skatalites, he was the genres most prolific composer, with well over 300 songs to his name before his brief career ended in tragedy. Even prior to the birth of ska, Drummond was already regarded as something of a Jamaican legend for his jazz prowess; as a teacher at West Kingstons Alpha Boys School, he also mentored up-and-comers including Tommy McCook, Rico Rodriguez, Vernon Muller, Joe Harriott and Vincent Gordon. Beginning his studio career in 1956, he primarily cut specials, recordings originally designed strictly for sound system play; in 1959, however, these specials began receiving proper commercial release in both Jamaica and England. As a result, Drummonds star ascended even higher, and under the direction of producer Coxsone Dodd, he composed and arranged hundreds of classic ska recordings for both Studio One and Treasure Island.Drummonds genius did not come without a price, however — a notoriously eccentric man who suffered from bouts of manic depression, his erratic behavior earned him the nickname Don Cosmic from Dodd, and it was a moniker he rarely failed to live up to. Still, when Studio One musical director Jackie Mittoo set about assembling the Skatalites in 1964, he did not hesitate to bring Drummond aboard, and he quickly emerged among the groups creative and spiritual leaders. The quintessential ska band of their time, the Skatalites influence was incalculable — their 1964 debut Ska Authentic ruled Jamaican airwaves throughout the year, and in addition to leading sessions with all of the islands top solo artists, they also helped launch the careers of newcomers including Delroy Wilson, the Wailers, Lee Scratch Perry and Ken Boothe. Drummonds composition Man in the Street earned the group a Top Ten UK hit later in 1964, and a year later his adaptation of the theme to the film The Guns of Navarone duplicated the feat. By that time, however, the Skatalites were no more, their demise brought about by the beginning of Drummonds own tragic downfall — on New Years Day of 1965, he was arrested for the murder of his girlfriend, exotic dancer Marguerita Mahfood. Her body was found in his home, the victim of multiple stab wounds; after a brief investigation, Drummond was deemed legally insane, and committed indefinitely to Bellevue Hospital. He died there on May 6, 1969 at the age of 37 — although officially explained as a suicide, there was no official autopsy, and rumors about his death continue to swirl to this day. According to research uncovered by Bob Timm, Ska Guide for The Mining Co. (http://ska.miningco.com), at the memorial service Supersonics drummer Hugh Malcolm ripped up the death certificate, charging the hospital staff with murder and calling Drummond a victim of the government authorities who regularly targeted Kingston-area performers; others claimed Drummond was slain by mobsters in cahoots with the family of Marguerita Mahfood. In any case, his death was the true end of an era, but his influence lives on.