by Jason Ankeny
 
Their self-effacing name to the contrary, Average White Band was anything but — one of the few white groups to cross the color line and achieve success and credibility playing funk, with their tight, fiery sound also belying their Scottish heritage, evoking American R&B hotbeds like Detroit, Memphis, and Philadelphia instead. Singer/bassist Alan Gorrie, guitarists Hamish Stuart and Onnie McIntyre, tenor saxophonist Malcolm Duncan, keyboardist/saxophonist Roger Ball, and drummer Robbie McIntosh comprised the original Average White Band lineup. Veterans of numerous Scottish soul and jazz groups, they made their debut in 1973 as the opening act at Eric Claptons Rainbow Theatre comeback gig, soon issuing their debut LP, Show Your Hand, to little notice. After adopting the abbreviated moniker AWB, a year later the band issued their self-titled sophomore effort, topping the American pop charts with the Arif Mardin-produced instrumental Pick Up the Pieces. The records mammoth success was nevertheless tempered by the September 23, 1974 death of McIntosh, who died at a Hollywood party after overdosing on heroin.
 
Ex-Bloodstone drummer Steve Ferrone replaced McIntosh for AWBs third album, 1975s Cut the Cake, which scored a Top Ten hit with its title track as well as two other chart entries, If I Ever Lose This Heaven and School Boy Crush. (Put It Where You Want It, issued later that same year, was simply a retitled and repackaged Show Your Hand.) With 1976s Soul Searching, the group reclaimed the full Average White Band name, scoring their final Top 40 hit with Queen of My Soul. Following the live Person to Person, they issued Benny & Us, a collaboration with soul legend Ben E. King. However, after subsequent outings, including 1978s Warmer Communications, 1979s Feel No Fret, and 1980s Shine, failed to recapture the energy of AWBs peak, the group dissolved in 1982, with Ferrone later joining Duran Duran and Stuart recording with Paul McCartney. Gorrie, Ball, and McIntyre reformed Average White Band in 1989, tapping vocalist Alex Ligertwood for their comeback effort Aftershock. Oft-sampled by hip-hop producers throughout the 1990s, the group continued touring prior to releasing Soul Tattoo in 1996. The live album, Face to Face, followed three years later.